At Water’s Edge began as a bit of a lark, when host Rebekkah Hilgraves, a longtime radio announcer (from back WAAAAAY before internet radio was available) asked Joe McMahon, the curator of StillStream’s music library, what it would take to become a host on StillStream. The answer was “Just express interest.” “Consider it expressed.”
An hour later, a show was born.
Accustomed to four-hour shifts in conventional radio, Rebekkah volunteered to do a four-hour show on Saturdays. Not content merely to spin tracks, the show quickly evolved into a blend of spoken word, music, interviews and live segments.
The basic premise of the show is that music is everywhere, in everything: in the hum of a city, in the pulse of construction machinery or a heartbeat, in footsteps, in laughter, in breath, in the shuffling of an impatient audience… and, like John Cage’s “Four minutes and thirty-three seconds”, all you have to do is sit and listen.